EXBD-69024 Zograscope Part

Rod Bantjes, “EXBD-69024_Zograscope_Part.html,” created 6 September, 2025; last modified, 10 February, 2026.(https://people.stfx.ca/rbantjes/).

Zograscope Part

Bill Douglas Cinema Museum[*] #EXBD-69024

English? ca. 1760

Dimensions: H= cm, W= cm, D= cm

Lens: ⌀=10 cm, ƒ=60.5 cm

 

Figure EXBD-69024.1 –Zograscope Part

Photo © Rod Bantjes.

Figure EXBD-69024.1 – Sliding Inner Column

Note that the thumbscrew dents extend almost to the end of the stick indicating a long distance between lens/mirror assembly and the observed print. Photo © Rod Bantjes.

This is the top section of a Zograscope – a biconvex-lens viewer for enhancing the 3D-effect of copper-plate engravings known as vues d'optique. It is an example of an "optical machine " and is included in the Optical Machine Taxonomy.

 

The mirror swings out and is held in place at a 45-degree angle by tightening two wooden thumbscrews. It reflects the print (set flat on a table) up through the lens.

 

This example is quite tall relative to other zograscopes – 24.8 cm from the T-bar to the top of the mirror frame. The lower shaft would have inserted into a wooden turned base and could be adjusted for height. This component too was unusually long – 20.2 cm. Different people or perhaps different sizes of prints demanded that the height (and distance between lens and print) be readjusted. Dents from the wooden thumbscrew indicate frequently adjustments and a wide variation (16.5 cm) in what was thought to be the right position.

 

The zograscope could also have been used without its base, as Joseph Harris explains: "A convex lens fixed in a frame to be held in the hand, and having before it a plane speculum inclined at the proper angle, or moveable upon a hinge so as to be readily set to this angle, will make a portable apparatus for the pockets,[xxx] and may be useful for viewing prints we casually meet with abroad".[xxx]

 

For more about zograscopes and their uses and meanings, follow this link.


Endnotes:

[*] I would like to acknowledge support from the Bill Douglas Cinema Museum in the form of an International Research Stipend. Thanks also to the staff of the Museum for their assistance in the archive.

 

[xxx] Eighteenth-century pockets must have been quite capacious.

 

[xxx] Harris, Joseph, A Treatise on Optics (London: B. White, 1775), 233.